Scene notes:
From the Space Needle, shot in 2006.
Time-lapse length (30 fps):
From the Space Needle, shot in 2006.
Time-lapse length (30 fps):
…with city lights behind, aircraft taking off into the sky. An observer on the Marin Headlands
sees much of the city from one view, where the bay enters the ocean in the other direction.
Spanning the bay is the bridge, cars speeding along as they always do. As night falls, the
lights glow reddish, the blues of blue hour change, and the airplanes take off in the sky,
which comprises about a sixth of the frame. Ships are seen coming through the bridge and
leaving, such as a tugboat escorting a cargo ship.
Time-lapse length (30 fps):
24 seconds and 8 frames.
… sunset as blue surrounds gray forms. The continuation of another clip. The camera’s orientation and
position has been adjusted. Blue hour on the Sierras, with low clouds showing terrain (orographic)
effects of landscapes below, as air currents move in patters and are effected by changes of large
scale on the ground. Here, the Sierras end in what is called normal faulting, and this has an effect
on the clouds. The intricate movement is highlighted against a pristine blue dusk behind the
clouds.
Time-lapse length (30 fps):
43 seconds and 2 frames.
After blue hour, mid-level clouds, patchy and fleeting, move in steadily in the moonlight, shadows
dimly moving on rock faces near the bottom-right of the frame at points. Mt Whitney (center) and
neighbors are silhouetted in the night, with nearer mountains that are shorter but much closer on the
left and right flanks.
Time-lapse length (30 fps):
20 seconds and one frame.
A hidden arch at dusk during blue hour with no clouds, only the shifting blue dusk gradient.
Motion-controlled physically on a rail.
Time-lapse length (30 fps):
12 seconds.
Scene notes:
Blue hour time-lapse of clouds just overhead after sunset, without many colors in the clouds.
Time-lapse length (30 fps):
9 seconds and 6 frames.
Scene notes:
Blue hour time-lapse of clouds just overhead after sunset, without many colors in the clouds.
Time-lapse length (30 fps):
9 seconds and 6 frames.
Digitally panning at blue hour on the mountains of Banff National Park in Canada. The sun lights up
the lower-level clouds which ride the steady wind just above the snowy peaks and ridges. The Canadian
Rockies are home to both Banff and Jasper parks, which are situated not far from each other
geographically, and are both in the Alberta province.
Time-lapse length (30 fps):
15 seconds and 9 frames.
Sunset with pink clouds rapidly changes to blue hour and nighttime, a huge boulder field is
silhouetted on the sky, which has high clouds that evaporate in the night quickly.
Time-lapse length (30 fps):
20 seconds and 24 frames.
The colors of sunset and blue hour facing the sky and tree line in a clearing, as day turns to night.
The green glow of aurora is becoming visible on the unique tree line.
Time-lapse length (30 fps):
12 seconds and 20 frames.
The colors of sunset and blue hour facing the sky and tree line in a clearing, as day turns to night.
The green glow of aurora is becoming visible on the unique tree line.
Time-lapse length (30 fps):
12 seconds and 20 frames.
Lake Tahoe in the distance is seen through trees as the dusk sets in and the upper-level clouds turn
from pink to being illuminated by city lights. The snowy foreground shadowed; airplanes are seen far
in the sky moving through the frame. Stars come out after blue hour. On the one road visible, traffic
moves quickly, and a ship is seen moving from afar.
Time-lapse length (30 fps):
59 seconds and 14 frames.
Almost silhouetted in the morning blue hour, stones of the Alabama Hills in California lay large in
the in the foreground of the Sierra Nevada mountains, which are pink and brightening in the sunrise
light.
Time-lapse length (30 fps):
16 seconds and 2 frames.
Deep into blue hour, mountain peaks behind the point of view cast dark shadows deep into the pink,
dusk sky. Facing a desert landscape which comprises an eighth of the frame, largely as a silhouette.
The moon, full, is seen alone in space. A few low-level clouds in the distance.
Time-lapse length (30 fps):
6 seconds and 22 frames.
The deep dark of the ‘blue hour’ that comes after sunset, with just a few spots of cloud catching
glowing pink light, but the clouds continue moving in complex patterns. The mountains are having a
definite effect.
Time-lapse length (30 fps):
8 seconds and 18 frames.