… and medium-density clouds transforming above. Red stones, extremely unusual in shape outside of the
American West, appear as monoliths while the camera pans away to the lower, fluffy clouds in the sky.
There is no foreground or horizon shown in this frame.
Time-lapse length (30 fps):
12 seconds and 2 frames.
… with waves flowing on rocks below. The UAS moves towards a monolith among an outcrop of stone and
shallow beach waves. A full motion clip with no interval of photos. Just beyond the monolith is a fog
bank that is slowly moving towards the camera, with smaller wisps moving over the rocky shore.
Time-lapse length (30 fps):
1 minute, 6 seconds and 17 frames.
The continuation of another clip. The camera orientation and position has been adjusted and lens
changed.
Time-lapse length (30 fps):
12 seconds and 11 frames.
From a point in Grand Canyon, the horizon may be level, but the land isn’t; this is owed to the
nature of the geography of the surroundings of the National park. The bright object illuminating the
landscape is not the sun, but the moon. A long exposure captures the light for a period of time to
greatly intensify the brightness of the scene in comparison to the human eye. Smoke wafts in the
canyon from a wildfire.
Time-lapse length (30 fps):
32 seconds and 8 frames.
Night in the Alabama Hills near Mt Whitney, the arch is silhouetted by a starry night.
Time-lapse length (30 fps):
7 seconds and 18 frames.
A moon-rise over Monument Valley. Cirrocumulus and Cirrostratus clouds moving in a starry night sky
against three massive monoliths in the far desert. An eight second interval is used with a long
exposure to capture more light than what is visible to the naked eye.
Time-lapse length (30 fps):
21 seconds and 4 frames.